JustBall.Net on the road blog - Read about our adventures
>>  Julia and Kerstin's trip blog
Sweeney Todd - 13 October 2011
14/10/11 @ 04:11:04 am, Categories: Shows, Pre Stage Door, Post Stage Door, 1212 words   English (GB)

Yesterday’s stage door was a short but sweet affair. We managed to ask him whether he’d be part of the post-performance discussion that was planned for this night. No, he said. Well, shame, as we thought it would have been interesting but you didn’t want to miss out on waving him good night, right? Okay, we are sure this is something only fellow fans will be able to understand. Ah well, we had a lovely post-stage door chat at the theatre bar next door and were soon back with Mr T and Mrs L.

If anything the show gets better with each viewing. There is always something new to discover and words simply cannot describe the sheer brilliance of Michael’s performance. Leaves us breathless and shaken every single time.

A special mention must go to the stunning visuals of the show. The lighting is superb and it really feels like watching an epic movie up for the Oscar for best photography. Some of the pictures they created (him backlit, a towering silhouette above the audience) will stay with us forever. No doubt about that.

Scene applause again for Epiphany. We are torn on that one, as there is really no question as to whether he deserves this (a revelation indeed), but it is interrupting a very tense moment. At least no laughter at Sweeney’s death this time.

So what to do now. Throughout the entire interval there had been loads of discussions whether we would all stay for the post-show talk or leave for the stage door. What if he did appear after all? Why wouldn’t they let us wave him good bye and then back in again? What to do, what to do? Our little group gathered in the auditorium for a quick pow wow after the final bravos of the evening. Word had it that he was doing it after all, so we gladly rushed back to our seats…to find them blocked by people who had moved forward a few rows. We all apologized and said that we had merely been talking to our friends down the aisle and most of the people moved back to their own seats or took one of the other vacant ones but not so much luck for Bunny Kerstin. The lady on her place refused to move. We had left our seats full stop. Heated discussion ensued and even an usher had trouble persuading the lady to take up one of the other seats. Not a lot of love around us after this intermezzo. Her friends were quite put out we fear, but come one, we had merely wanted to sit down again after having been away for 1 minute. And we were also sitting with friends.

Anyways, the cast appeared on stage to big applause (really many of them were so kind to spend a little while longer with us). When Michael came on stage the substantial crowd erupted into massive cheers. He did look rather delicious in purple shirt and jeans (no socks…mmmh). We were allowed to ask questions then. Many good questions from the audience. Imelda had brought her cute little dog (“This is Molly with her carer,” introduced Mr Ball LOL). Were they inspired by the movie, er no, not really did it look like it? The idea to set it in more modern times was to make it more relatable for a modern audience and also to shake off all the ghosts of past productions or indeed the movie. They had an incredibly short rehearsal period of 5 weeks to get to this perfection (Michael and Imelda had rehearsed an extra week together before this). Many young actors in the audience who wanted advise on auditions and getting into character. Really insightful replies by Imelda an all the others. Did they know they had a hit when still in rehearsals. You could tell they all thought yes, they did really, but didn’t want to sound too self-absorbed so went for they knew it when they had the audience in for the first time.

A daring question on the temperamental chute (some victims were rather hesitant to slide down into the bakehouse). They explained how the blood is based on sugar and is a very sticky affair. So at one point, when one poor victim was indeed stuck in the middle (we had seen this show) Michael told us all how eventually a hand came up from below and pulled the actor down and out of sight. And he had to remain singing throughout the entire drama! LOL mind you, as we said, we had been present at the incident and you couldn’t see the tiniest hint of a flicker of irritation on his face or hear it in his voice. That’s a true professional for you.

Another question surrounded the blood flow during the killings. As sometimes you hardly see a drop and at other times it’s splashing around like a broken water pipe. The guy who plays Sweeney’s first nameless victim explained the situation. When they started rehearsing with the blood they all had belts that made them look like suicide bombers, including blood packs and battery packs and so on. They needed to push a button and the blood was supposed squirt. At the beginning it merely trickled and then exploded into Michael’s face. Now they do this mechanically in a way. Actually he did not completely reply to this question.

There was lots of praise on stage and off stage for the actors, the musical direction, the sound design and the set. Michael explained how important the sound design was for the show as they did not use the existing system of the Festival Theatre, but had something individually designed installed. It’s rather complicated but there seem to be many small speakers that are individually controlled.

Then he continued to talk about the emotional impact of the opening scene, when he is still hidden from view and hears the almost operatic intro from the ensemble. He said the soundwaves hit you and what an amazing moment it is, when the entire cast calls out to him (“Sweeney, Sweeney…!”). So, if we ever get the chance…. This earned him a big laugh. As if they’d ever give us the chance to sit on that chair in turn…. We wish!

It was over all too soon, but they had all been very generous with their spare time.

At the stage door afterwards there was this huge crowd of acting school students and we thought he’d never get out of there, but just like in Rugby, where there is a huge huddle of players and the ball sometimes escapes unnoticed, he appeared in front of us after just a few moments and waved good night. How he did it, we will never know! The cast then went into the bar of the opposite Minerva theatre. So this was our clue to go. It’s really not the done thing to wait for him after he said good-bye. Did not stop some though.

The sun is shining in Chichester today and we cannot believe it’s Friday already. We’ll get back to you soon.

Permalink

WTF?
On the road with Michael Ball.
blogs
Categories
Archives
May 2017
Mon Tue Wed Thu Fri Sat Sun
 << <   > >>
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31        
User Functions

Management

Misc

Search

XML Feeds

links
Credits